Name: 200 Voices Mendelssohn Elijah Combined Choirs From hastings and Freiburg, Germany
Start: 2023-07-30T00:00:00.000Z
End: 2023-07-30T00:00:00.000Z
Location: De La Warr Pavilion

Organization

Singer

Soprano

Helen May

The Widow

Contralto

Marta Fontanals-Simmons

An Angel

Tenor

Anthony Flaum

Obadjah

Bass-baritone

Jack Lawrence-Jones

Elijah

Conductor

Márcio da Silva

Orchestra

Hastings Philharmonic Orchestra

Others

Hastings Philharmonic Choir

Chor Münchweier

Cantemus! Gundelfingen

Visiting Choirs from Freiburg (Germany)

200 Voices Mendelssohn Elijah Combined Choirs From ​hastings and Freiburg, Germany

Bexhill

United Kingdom

De La Warr Pavilion

200 VOICES  MENDELSSOHN Elijah  Combined choirs from ​Hastings and Freiburg, Germany: Elias Mendelssohn

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Baritone

Countertenor

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

HPO are delighted to be uniting local choirs with visiting choirs from Freiburg, Germany to share in an impressive performance of Mendelssohn's dramatic and inspiring oratorio Elijah. Visiting choirs include Chor Münchweier, Cantemus! Gundelfingen and school choirs from Ettenheim.

Hailed as the Messiah of its day, this glorious work was a hugely popular and cemented Mendelssohn's position as one of the greatest composers of sacred music. 

A review published in The Times shortly afterwards was unstinting in its praise: ‘The last note of Elijah was drowned in a long-continued unanimous volley of plaudits, vociferous and deafening ... never was there a more complete triumph; never a more thorough and speedy recognition of a great work of art.’

Felix Mendelssohn was born into a wealthy, cultured Jewish family during a troubled period in European history when Jews were seeking after equal civil rights. His grandfather Moses was one of Europe’s most influential thinkers and the last major philosopher of the Enlightenment, and his father, Abraham, was a successful banker. Moses changed the family name from Mendel Dessau to Mendelssohn. Felix’s parents added Bartholdy to the family name, converted to Protestantism, and had their four children baptized. Although Felix became a committed Lutheran, he refused to adopt Bartholdy as a surname.

As youngsters, both Felix and his sister Fanny were sent to Paris to study piano and the works of Mozart and Bach. Musicians of the day praised the precociously gifted Felix as the second Mozart. During Felix’s teens, he was already composing mature works, including 12 string symphonies, a symphony for full orchestra, and the overture A Midsummer Night’s Dream.

After completing his studies at Berlin University, Mendelssohn travelled and performed all over Europe. He became a favourite composer and friend of Queen Victoria and Prince Consort Albert. When he was 26, he became conductor of the Gewandhaus Orchestra in Leipzig. His concert seasons were unmatched in Europe, both in musical quality and repertoire. When he conducted the first performance of Bach’s Saint Matthew Passion since the composer’s death 79 years earlier, he rescued Bach from obscurity.

Mendelssohn and his contemporaries faced the early 19th-century challenge of appealing to the rising middle class, who were a much more diverse audience than music’s formerly small, homogeneous, upper-class audience. Mendelssohn and his colleagues committed themselves to creating programme music, in which the instrumentation conveys the meaning of words and, ultimately expresses what words cannot.

Mendelssohn used two musical forms — the chorale and large instrumental works with chorale-like finales — to advance themes of reconciliation and brotherhood. His selection of Biblical texts for his two great oratorios, St. Paul and Elijah, exemplify his devotion to the task.

English

200 Voices Mendelssohn Elijah Combined Choirs From hastings and Freiburg, Germany by Mendelssohn, From (2023/2023), Conductor Márcio da Silva, De La Warr Pavilion, Bexhill, United Kingdom

Performance credits (Cast & Crew )

Cast

Ensemble

Programme, About & Synopsis

Photos

Further reading

Performance Dates & Venues

Venues

200 Voices Mendelssohn Elijah Combined Choirs From ​hastings and Freiburg, Germany by Mendelssohn, From (2023/2023), Conductor Márcio da Silva, De La Warr Pavilion, Bexhill, United Kingdom