Name: Ecce Maria
Start: 2019-06-21T00:00:00.000Z
End: 2019-06-23T00:00:00.000Z
Location: Basilica di San Vitale

Admin

Ravenna Festival

Others

Ensemble Dolci Accenti

Dolci Accenti

Singer

Daniele Cernuto

Voice

Tenor

Michele Fracasso

voice

Instrumentalist

Viola da gamba

Calogero Sportato

Theorbo

Ecce Maria

Ravenna

Italy

Basilica di San Vitale

Ecce Maria: Bone Jesu Arigoni (+6 More)

Public

Private

Concert

Oratorio / Orchestral

Bone Jesu

O intemerata

Ecce Maria genuit nobis Salvatorem

Salve Regina, SV 327

Ave Dulcissima Maria

Stabat Mater

Sancta Maria succurre miseris, SV 328

Larissa Andrea Pereira

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Soprano

Countertenor

Baritone

Contralto

Mezzo-soprano

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

The Marian name ‘Our Lady of Constantinople’ given to a sacred building generally refers to the arrival in the West of venerated images of the Blessed Virgin that were brought by monks who were fleeing from Byzantium. The Baroque 1600s contain a wealth of iconographies and music centred on the figure of the Blessed Virgin. This concert unfolds along that idea, involving authors of the Baroque period who were particularly linked to Venice, a crossroads of cultures as well as an inextricable artistic junction between East, West and the figure of Mary. It is a meditation centred on the Blessed Virgin, both as woman and mother. A woman adored by mankind, intemerata and sancta, suavis and beatissima. A mother who suffered and accepted the sharp thorns life had in store for her, a woman whose womb carried the Redeemer. “Nel suo ritorno glorioso rimani, o Madre, al mio fianco, salvami dall’eterno abbandono”.

English

Il titolo mariano di Nostra Signora di Costantinopoli assegnato a un edificio sacro è generalmente legato all’arrivo in Occidente di venerate immagini della Vergine portate da monaci in fuga da Bisanzio. Il Seicento barocco è ricchissimo di iconografie e musiche incentrate sulla figura della Beata Vergine. E ad esso si rifà l’idea lungo la quale si dipana questo concerto, coinvolgendo autori del periodo barocco legati in particolare con Venezia, crocevia di culture, inestricabile nodo artistico tra Oriente, Occidente e la figura di Maria.
Si tratta di una meditazione incentrata sulla figura della Vergine, come donna e madre. Donna che gli uomini adorano, intemerata e sancta, suavis e beatissima. Madre, che soffre e accetta le pungenti spine che la vita le riserva, il cui grembo ha portato colui che ci ha salvato. “Nel suo ritorno glorioso rimani, o Madre, al mio fianco, salvami dall’eterno abbandono”.

italiano

Ecce Maria by Arigoni, Grandi, Severi, Monteverdi, Priuli, G., Sances, From (2019/2019), Basilica di San Vitale, Ravenna, Italy

Performance credits (Cast & Crew )

Ensemble

Programme, About & Synopsis

Photos

Further reading

Performance Dates & Venues

Venues