Name: Livets Sidste Toner
Start: 2022-12-08T00:00:00.000Z
End: 2022-12-08T00:00:00.000Z
Location: Musikhuset Aarhus

Organization

Conductor

Marc Soustrot

Singer

Mezzo-soprano

Hanne Fischer

Johanna Nylund

soprano

Baritone

Teit Kanstrup

Soprano

baritone

mezzo-soprano

Aarhus Symfoniorkester

Others

Vokalensemblet GAIA

Concert Clemens

Livets Sidste Toner

Aarhus

Denmark

Musikhuset Aarhus

Symfonisk Sal

Livets Sidste Toner: Requiem (+1 More)

Public

Requiem, Op 9

Fauré Requiem

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Tenor

Countertenor

Contralto

Bass

Alto

Child vocalist

Continuo

Silent

Spoken

Two death masses in one concert – and two unparalleled examples of how the final, clarifying music of mortal life becomes a divine tribute to life itself.
Music for death – and for life. A requiem is a mass of death, but in its beauty the music becomes as much a tribute to life. It is here that man comes face to face with his god; either in death or in the loss of a loved one. It makes a requiem a great spiritual as well as musical experience.

With Duruflé and Fauré, we come through the whole spectrum of human experience, concentrated in the relentless prism of death.

These are two very human works; they are spiritual rather than religious, although they are based on Christian texts. Both of them offer a peaceful, settled acceptance of the finality of life - and a more beautiful reconciliation with death cannot be imagined.

English

To dødsmesser i én koncert – og to mageløse eksempler på, hvordan jordelivets endelige, afklarende musik bliver en guddommelig hyldest til livet selv.
Musik til døden – og til livet. Et rekviem er en dødsmesse, men i sin skønhed bliver musikken i lige så høj grad en hyldest til livet. Det er her, mennesket står ansigt til ansigt med sin gud; enten i døden eller i tabet af en elsket. Det gør et rekviem til en stor åndelig såvel som musikalsk oplevelse.

Hos Duruflé og Fauré kommer vi gennem hele spektret af den menneskelige erfaring, koncentreret i dødens ubarmhjertige prisme.

Det er to meget menneskelige værker; de er åndelige snarere end religiøse, selvom de bygger på kristne tekster. Begge tilbyder de en fredfyldt, afklaret accept af livets endeligt – og en smukkere forsoning med døden kan man ikke forestille sig.

dansk

Livets Sidste Toner by Duruflé, Fauré, From (2022/2022), Conductor Marc Soustrot, Musikhuset Aarhus, Aarhus, Denmark

Performance credits (Cast & Crew )

Cast

Ensemble

Programme, About & Synopsis

Photos

Further reading

Performance Dates & Venues

Venues