Biography
After studying the piano and accompaniment, Hélène Ducos turns to singing and opera. In 2014, she began vocal technique with Rose Régat, before flying the following year to the United Kingdom. She joined the Royal Birmingham Conservatory. In parallel, she continues to study languages, English, German and Italian. Twice she participated in the summer academies of the Mozarteum in Salzburg, in the classes of Helen and Klaus Donath, in particular. She participates in master classes of Natalie Dessay, Laurent Naouri, Damien Guillon. Hélène goes up on stage, first wisely with Hänsel und Gretel by Humperdinck or even the dragonfly in L'Enfant et les Sortilèges by Ravel; then she headed for more demanding roles: Pierrot Lunaire by Schönberg, Polly in Britten's The Beggar's Opera, Métella in La vi
Biography
After studying the piano and accompaniment, Hélène Ducos turns to singing and opera. In 2014, she began vocal technique with Rose Régat, before flying the following year to the United Kingdom. She joined the Royal Birmingham Conservatory. In parallel, she continues to study languages, English, German and Italian. Twice she participated in the summer academies of the Mozarteum in Salzburg, in the classes of Helen and Klaus Donath, in particular. She participates in master classes of Natalie Dessay, Laurent Naouri, Damien Guillon. Hélène goes up on stage, first wisely with Hänsel und Gretel by Humperdinck or even the dragonfly in L'Enfant et les Sortilèges by Ravel; then she headed for more demanding roles: Pierrot Lunaire by Schönberg, Polly in Britten's The Beggar's Opera, Métella in La vi
