Name: Prometeo. Tragedia Dell'ascolto
Start: 2017-05-26T00:00:00.000Z
End: 2017-05-28T00:00:00.000Z
Location: Teatro Farnese

Admin

Organization

Singer

Soprano

Livia Rado

Alda Caiello

Contralto

Katarzyna Otczyk

Silvia Regazzo

Tenor

Marco Rencinai

Tenore

Conductor

Marco Angius

Chorus master

Martino Faggiani

Sound designer

Alvise Vidolin

Sergio Basile

Voices reciting

Massimo Fiocchi Malaspina

Others

Coro del Teatro Regio di Parma

Orchestra

Ensemble Prometeo

Filarmonica Arturo Toscanini

Teatro Regio di Parma

Prometeo. Tragedia Dell'ascolto

Parma

Italy

Teatro Farnese

Prometeo Nono

Public

Prometheus

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Countertenor

Mezzo-soprano

Baritone

Bass

Alto

Child vocalist

Continuo

Silent

Spoken

"It is not an opera. Neither a melodrama, nor a cantata, nor an oratorio, nor a concert. It is a tragedy composed of sounds, with the complicity of a space."
Luigio Nono thus describes the fruit of his collaboration with the philosopher Massimo Cacciari, author of the libretto, based on texts from Aeschylus to Benjamin, in Italian, German and ancient Greek. With a language freed from any school, while looking carefully at Schönberg's lesson, Nono puts vocality at the center of his work, freed from any narrative element. Revolutionizing the experience of listening is the goal that moves the search for him: an experience that can only take place in a special place, which makes possible a new spatial distribution of sound.

English

"Non è un’opera. Né un melodramma, né una cantata, né un oratorio, né un concerto. È una tragedia composta di suoni, con la complicità di uno spazio."
Luigio Nono descrive così il frutto della sua collaborazione con il filosofo Massimo Cacciari, autore del libretto, basato su testi da Eschilo a Benjamin, in italiano, tedesco e greco antico. Con un linguaggio affrancato da ogni scuola, pur guardando con attenzione alla lezione di Schönberg, Nono mette al centro della sua opera, liberata da ogni elemento narrativo, la vocalità. Rivoluzionare l’esperienza dell’ascolto è il fine che muove la sua ricerca: un’esperienza che non può avvenire se non in un luogo speciale, che renda possibile una nuova distribuzione spaziale del suono.

italiano

Prometeo. Tragedia Dell'ascolto by Nono, Fri 26 May 2017, From (2017/2017), Conductor Marco Angius, Teatro Farnese, Parma, Italy

Performance credits (Cast & Crew )

Cast

Crew

Ensemble

Programme, About & Synopsis

Photos

Further reading

Performance Dates & Venues

Venues